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Strange but true: this is the first authentic account of the Marx Brothers, their origins and of the roots of their comedy.
First and foremost, this is the saga of a family whose theatrical roots stretch back to mid-19th century Germany. From Groucho Marx's first warblings with the singing Leroy Trio, this book brings to life the vanished world of America's wild and boisterous variety circuits, leading to the Marx Brothers' Broadway successes, and their alliance with New York's theatrical lions, George S. Kaufman and the 'Algonquin Round Table'.
Never-before-published scripts, well-minted Marxian dialogue, and much madness and mayham feature in this tale of the Brothers' battles with Hollywood, their films, their loves and marriages, and the story of the forgotten brother Gummo.
- Sales Rank: #484090 in Books
- Published on: 2000-06-08
- Original language: English
- Number of items: 1
- Dimensions: 8.56" h x 1.44" w x 6.42" l,
- Binding: Hardcover
- 464 pages
Amazon.com Review
A serious book hiding behind a goofy title, Monkey Business captures a tremendous amount of detail in its pages, enough to satisfy the most hard-core Marx Brothers aficionado. Author Simon Louvish has a talent for showcasing contrasts, and it's these contrasts--along with a few surprises--that make the brothers such fascinating characters. Among all the scripts, photos, and quotes are some unexpected discoveries, especially the real story of Margaret Dumont. While lamenting the tall tales that have circulated around this actress's life so far, Louvish applauds her image as the ultimate "straight" lady when she was really pulling a lifelong practical joke. And while the one-liners are as entertaining as always, it's refreshing to see glimpses of Groucho's serious side. One chapter begins with an earnest letter to his daughter's boyfriend about the young man's struggles with anti-Semitism, advising him to "comport yourself in such a manner that you will ultimately gain their respect." Of course, he immediately follows up with "Tomorrow we're having tea at the White House. I hope they have pumpernickel": this is Groucho we're talking about, after all. Louvish takes the same one-two narrative punch with the other brothers, interspersing real-life slapstick with tales of gambling debts, relationship difficulties, and professional disappointments and triumphs. Complete with a chronological list of life events and films, a complete reference list, and a thorough index, Monkey Business is the biography serious Marx Brothers fans have been waiting for. --Jill Lightner
From Publishers Weekly
Told with tremendous style and sparkle, Louvish's composite portrait of the Marx Brothers offers an indispensable overview of the actors' saga. Decked out with photographs and sprinkled with excerpts from reviews, interviews, memoirs, film dialogue and hitherto unpublished skits and scripts, this biography captures the sheer exuberance of the foursome as they conquered vaudeville, Broadway and Hollywood. Louvish gives equal billing to all the brothersAJulius (Groucho), Leonard (Chico), Arthur (Harpo), Herbert (Zeppo), plus Milton (Gummo), who left the act to become a Hollywood agentAand vibrantly re-creates a supporting cast of characters that includes George Kaufman, Irving Berlin, Irving Thalberg, S.J. Perelman and Margaret Dumont. Yet the biographer of W.C. Fields (The Man on the Flying Trapeze) maintains critical detachment in assessing the brothers' onstage/onscreen antics and their often messy private lives. Groucho, for one, comes off as a lot more likable than in Stefan Kanfer's Groucho (Forecasts, Mar. 20). While Louvish fully acknowledges the abusive behavior that drove Groucho's first wife to alcoholism, Julius Marx seems more forgivably human here, and Louvish depicts Groucho's relationship with daughter Miriam as loving and solicitous. His fresh research clears up all manner of myths, embellishments and omissions in previous biographies and in the brothers' autobiographies. In this invigorating reappraisal, the Marx Brothers, more than "Minnie and Sam's boys who never grew up," are timeless satirists of pretension, folly, privilege and snobbery, in the tradition of Cervantes, Rabelais and Mark Twain. The "Four Horsemen of the Apoplexy," they embody an authentic acceptance of life's absurdity as well as a desperate need to leave one's mark. (June)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Groucho Marx mastered the worlds of vaudeville, theater, movies, radio, and television, yet he remained a moody, morose, unfulfilled man. Plagued by nagging financial insecurities, partly realized literary ambitions, and difficult, unsatisfying relations with his wives, lovers, and daughters, Groucho was a "depressive clown," notes Kanfer (The Eighth Sin). This is the show business saga of "Minnie's boys," Groucho, Harpo, Chico, and, sometimes, Gummo and Zeppo. Groucho never really had a childhood, as mother Minnie drove the boys relentlessly as they perfected their trademark antic, ad-lib style. Many books on the Marx Brothers pay homage to their innovative wisecracks, word play, and nonstop non sequiturs, but Kanfer shows the show biz realities behind the madness. The book also details Groucho's ambivalent relations with his son, Arthur; his brothers; New Deal liberals; intellectuals and collaborators like S.J. Perelman; and his custodian, Erin Fleming. Although Chico and Harpo remain shadowy figures in this portrayal, this is the first comprehensive portrait of Groucho in years. Recommended for large public and academic libraries. [Previewed in Prepub Alert, LJ 2/1/00.] Pubbing in the same month as Kanfer's book, this work may signal the beginning of a Marx Brothers revival. The brothers' nonstop barrage of verbal and visual gags delighted average moviegoers and intellectuals alike. Kanfer focuses on Groucho, where Louvish, the author of The Man on the Flying Trapeze, a biography of W.C. Fields, expands the canvas to appraise the contributions of the other brothers, plus Margaret Dumont, a regular target of the brothers' mayhem. Chico was a compulsive gambler and risktaker. Harpo, whose comedy career was limited by his silent act, found fulfillment in family life. Dumont, Louvish shows, was more than a dimwitted comic stooge. (In fact, the Marx Brothers often failed to attract a female audience, an interesting topic covered more fully by Kanfer.) The Marx Brothers' story is now encrusted with numerous myths and dubious anecdotes, and Louvish does a solid job of separating fact from fiction and includes a family tree and a discussion of the FBI's file on the group. Like Kanfer's book, Monkey Business includes generous excerpts of classic Marx Brothers film dialog. Recommended for public library film collections.
-Stephen Rees, Levittown Regional Lib., PA
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
13 of 14 people found the following review helpful.
Well, "Monkey Business" IS my all time fave Marx movie......
By devotedmarxist
And I must say that this book of the same title is right up there too. I thought Simon Louvish did an excellent job of digging up the truth on the Marxian tales that have swirled around for many, many years. His research of the ancestral roots of Minnie and Sam "Frenchy" Marx are impeccable.....and Louvish's way of putting the "ages" of the brothers in their proper timeframe is first rate. I think he captured each brother perfectly. I was impressed at his case for giving Chico a hell of lot more credit in steering the brothers to superstardom. Chico was a go-getter, just like his mother Minnie, and I was happy to see Chico portrayed as something more than just the gambling, womanizing, loose cannon type of a guy we all know about (or thought we knew about). That's not to say Chico wasn't like that, it's just good to hear something else about him for a change (I'd kill to have the mathematical mind that guy had!). Harpo is always just the Harpo we all know (just like in "HARPO SPEAKS!") and love. He definitely marched to a beat of a different drummer (Louvish captures that perfectly), Harpo was his own man to say the least. That's a good thing. Groucho, is displayed (like usual) as cantankerous, moody and insulting (well, this IS Groucho we're talking about!). But Louvish gets into the reasons WHY Groucho was that way (let's just say insecurities MIGHT have played a small part in Groucho's disposition).
For me, reading of Zeppo's burden of being so much younger and feeling he was always an afterthought is sad. To be bearing the middle name of his deceased eldest brother, you have to feel some sympathy towards the poor guy. Zep's talents lie elsewhere, as subsequent chapters explain. Louvish's use of prime Marxist dialogue is superb, and he really outdid himself in research at the Libary of Congress, finding several vintage manuscripts just lying there waiting to have their moment in print.......speaking of moments, I was really intrigued by the true story of Margaret Dumont. This woman managed to pull off the ultimate lifelong-practical joke on GROUCHO of all people. Read the book to see what I'm talking about. Everything you'd want to know about the Marxes is here, and there's so much irony in the stories, it's mind boggling. What really got me was the sad way each of their lives ended. None of them (except maybe Gummo) just went along peacefully. Chico died of arteriosclerosis, with practically nothing to show for all the glory years in the movies, Harpo had a heart attack during open-heart surgery (on his 28th wedding anniversary no less), Zeppo died of lung cancer. Groucho's surviving relatives' feud with Erin Fleming (even after Grouch was gone) was a sad closing to an amazing, but sometimes painful life. But it's the laughter that kept the brothers (and brought all of us) together. That's what this book celebrates more than anything. The genius of their comedy, their anarchistic style, they brought THEMSELVES to us, the movie goer. That's why almost 80 years later, we're still interested in them, because there was no one else like them, probably never will be. But it's the legacy of laughter they left behind, the legacy that Louvish writes about so beautifully. First rate book, get this one.
12 of 13 people found the following review helpful.
near-top of the marx
By A Groucho Marxist
Louvish's comprehensive biography is intelligent, solidly researched (with careful notes, unlike the new Kanfer bio of Groucho), and written with warmth and affection. Where others have accepted mythologies about the lives of the boys, Louvish has dug for facts and unearthed all sorts of tantalizing details and contradictions: he is particularly strong on the family's European roots and their vaudeville career, and he offers the most detailed and lovingly iconoclastic biographical sketch of the implacable and heretofore mysterious Margaret Dumont.
One wishes that his analyses of Marxian comedy were sharper and deeper, and at times the British author seems to have only a slippery grasp of the American pop culture idiom; there are references he just doesn't get. Also, the chatty tone of his writing and his conversational interjections can be distracting.
Overall, though, this is the best Marx book in years--it is trustworthy and enjoyable. Buy it, and tell them AGrouchoMarxist sent you!
12 of 13 people found the following review helpful.
Very Enjoyable
By Michael Samerdyke
I found "Monkey Business" very enjoyable and interesting. I had trouble putting the book down. It reads very quickly and is not dull or academic in the least.
The one drawback I found was that the book is not as focused as Louvish's bio of W. C. Fields, but then here he is following five people as opposed to one.
Still, this was a very good book. I liked the way Louvish challenged some old stories about the Marx Brothers, and I liked the way he made a case for Chico being the chief "behind the scenes" brother in business matters. His assessment of the films seemed quite fair to me, and I found it interesting that the Marxes (or their writers) originally intended "Duck Soup" to be more political, and that they made it after plans to film "Of Thee I Sing" fell through.
Still, this is perhaps not the best "first book to read" on the Marx Brothers. I would nominate Joe Adamson's "Groucho, Harpo, Chico and Sometimes Zeppo" for that.
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