Senin, 22 November 2010

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How Deaf Children Learn: What Parents and Teachers Need to Know (Perspectives on Deafness), by Marc Marschark, Peter C. Hauser

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How Deaf Children Learn: What Parents and Teachers Need to Know (Perspectives on Deafness), by Marc Marschark, Peter C. Hauser

How can parents and teachers most effectively support the language development and academic success of deaf and hard-of-hearing children? Will using sign language interfere with learning spoken language? Should deaf children be placed in classrooms with hearing children? Are traditional methods of teaching subjects such as reading and math to hearing children appropriate for deaf learners? As many parents and teachers will attest, questions like these have no easy answers, and it can be difficult for caring adults to separate science from politics and fact from opinion in order to make informed decisions about how to help deaf children learn.

In this invaluable guide, renowned authorities Marc Marschark and Peter Hauser highlight important new advances in scientific and educational research that can help parents and teachers of students with significant hearing loss. The authors stress that deaf children have strengths and needs that are sometimes very different from those who can hear. Consequently, if deaf students are to have full academic access and optimal educational outcomes, it is essential that parents and teachers learn to recognize these differences and adjust their teaching methods to them. Marschark and Hauser explain how the fruits of research conducted over the last several years can markedly improve educational practices at home and in the classroom, and they offer innovative strategies that parents and teachers can use to promote learning in their children. The result is a lively, accessible volume that sheds light on what it means to be a deaf learner and that provides a wealth of advice on how we can best support their language development, social skills, and academic success.

  • Sales Rank: #691583 in Books
  • Published on: 2011-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.20" h x .70" w x 9.40" l, 1.87 pounds
  • Binding: Hardcover
  • 168 pages

Review

"After reading this book, parents who may be feeling inadequate about their parenting skills or fearful about providing a good education for their deaf or hard-of-hearing child should be more at ease, and teachers will gain insight into the complexities involved in deaf education and be better equipped to teach these children." - Library Journal


"Using common terminology and drawing upon years of clinical experience, the authors dispel a number of myths regarding what is "best" or "impractical" for the education of deaf children. Rather, they offer basic guidelines for parents and teachers who live and work with these children on a day-to-day basis.The authors also present specific recommendations for academic instruction in the general classroom for teachers and families of deaf children. Summing Up: Highly recommended. General readers and professionals." -- J. D. Neal, University of Central Missouri


"How Deaf Children Learn represents an excellent beginning step in understanding deaf
children, their learning, and most beneficial educational situations. Despite its specificity,
the book can have multiple uses within the psychological community-- primarily as an
introduction for parents who are a clinician's clients, for students in teacher education
programs, for teachers of general education as well as special education, and within special
education programs. Quick, eminently readable, and realistic, it is a book from which
readers will absorb a great deal of valuable information. As a professional in the field of
special education, I wish there were a book like this covering each disability!" -- Cynthia C. Siebel, PsycCRITIQUES


About the Author

Marc Marschark is a Professor at the National Technical Institute for the Deaf, where he is Director of the Center for Education Research Partnerships. He has written or edited over 20 books and published over 100 articles and chapters. His current research focuses on relations of language and learning by deaf children and adults in formal and informal educational settings.

Peter C. Hauser is an Associate Professor at the National Technical Institute for the Deaf. A deaf clinical neuropsychologist, he is the director of the Deaf Studies Laboratory (DSL) where he supervises deaf, hard-of-hearing, and hearing students who obtain hands-on experience developing, running, and analyzing experimental psychological studies.

Most helpful customer reviews

6 of 6 people found the following review helpful.
A "Must Read" for professionals, educators and parents connected to the world of Deafness
By K. Kole Leary
It is a breath of fresh air to read a book dealing with the education of Deaf and Hard of Hearing children based on research instead of dogma, habits, fanaticism, or just simply "personal beliefs." Who ever it was that encouraged these authors to re-write their research conclusions in a manner that parents and teachers can understand, deserves a medal. As do the authors themselves. Without a doubt, even more research needs to be done in this field, but the authors clearly reveal where conclusions cannot be made until that research is attempted, yet suggest what makes sense based on the research available. As a teacher who has been working with the deaf for over 30 years, I am finding that this book supports many things I have come to believe over the course of my career, and shines a light on new findings in a way I can not only understand, but can take a hold of and bring into my practice.

9 of 13 people found the following review helpful.
Clarifies the Misconceptions Well.
By Mr. Math Expert
Read: 8/12
Rate: 5/5

8/12: Well, How Deaf Children Learn is as neutral as it gets when it comes to the presentment of evidence based information in terms of what's best for the deaf children. It is actually a nice treatment, but if you are going to find answers, chances are you will end up feeling disappointed or nonplused. I am actually glad to see that neither signing nor speaking is better than one another. Both have their uses, and both serve their purposes very well. But to think one without the other, it's impossible. It helps to have both in the arsenal, and I should know. The authors came very, very close to settling a question but didn't. This is a new research proposal. As I have a lot of experience across the board no matter what placement, this is how I feel: deaf children who only sign and live primarily in the deaf community tend to have ADHD traits, and deaf children who either rely on simcom or are strongly oral living primarily in the hearing world tend to have the traits of Asperger's syndrome. The behaviors are discernable and have a lot of similarities with the respective disorders. Now, my question is: does the deafness mold the traits or are they inherent regardless of the deafness? This is something that will be very interesting. There is a statement in the book that "there is no evidence, however, to support claims that television captions, texting, and the Internet improve deaf students' reading." I'll agree with it to a certain extent. Closed captions is the primarily reason why I initially got good in reading, and then of course, my reading level will plateau if I stayed with it only instead of branching out like reading classics, etc. But still, I must say that there are positives in closed captions. My biggest agreement with the chief message of the entire book is that parental involvement does make the most difference in making or breaking the deaf child's future. That I can attest and back it up. On the other hand, I can never believe how a seemingly normal person who happens to be deaf can be so saddled with 3rd to 4th grade reading, mathematics, and writing levels coming out of high school. I've met so many who are just the perfect model of my description. Then again, the fluency of language is the reason why. Although the challenges of schooling from preschool to high school remain tough for the deaf population, I have to say that the transition from school to real life is much tougher because jobs are there but no willing employers taking the chance. All in all, How Deaf Children Learn addresses most of the crucial issues, settles them, and offers perspectives but doesn't solve the dilemma.

0 of 0 people found the following review helpful.
Good reference book.
By A. Ramirez-Lugo
EXCELLENT!

See all 7 customer reviews...

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Sabtu, 20 November 2010

[P955.Ebook] Download PDF Piano Stylings of Classic Christmas Carols (Ekay Edition)From Ekay/Shacor

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Twenty of the most beloved Christmas carols of all time. As in all the volumes of this superb series, each setting has been crafted by top arrangers to sound gorgeous and professionally polished, yet all the music is quite playable. Also included are arranger profiles and complete lyrics of the carols. As with all books in this series, it includes a unique lay-flat binding to help keep the music open on the music stand.

Titles include: Away in a Manger
* Carol of the Bells
* The First Noel
* The Holly and the Ivy
* It Came Upon a Midnight Clear
* Joy to the World
* O Come, All Ye Faithful
* O Little Town of Bethlehem
* Silent Night
* We Wish You a Merry Christmas
* and more.

  • Sales Rank: #4683076 in Books
  • Model: 50-R25453
  • Published on: 2003-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.75" h x 9.00" w x .25" l, .30 pounds
  • Binding: Sheet music
  • 4 pages

Most helpful customer reviews

27 of 28 people found the following review helpful.
Here are the songs in this album
By Kathlyn Storey
For those of you that wondered, as I did, what songs were in this book, I'm listing them:
Angels We Have Heard On High
Away In a Manger
Bring A Torch, Jeannette Isabella (??)
Carol Of The Bells
Deck The Halls
The First Noel
God Rest Ye Merry Gentlemen
Good King Wenceslas
The Holly & The Ivy
I Heard The Bells
It Came Upon A Midnight Clear
Joy To The World
O Christmas Tree
O Come, All Ye Faithful
O Holy Night
O Little Town Of Bethlehem
Silent Night
We Three Kings
We Wish You A Merry Christmas
What Child Is This
That would be 20 songs for around 50 cents a song when the book is on sale; not bad. I tried out about four of them to give an idea of difficulty and harmonics. The level is most close to intermediate; advanced players may find these too easy technically. However, there is a level of difficulty for the player to make the piano sing the melody in a pleasing and/or moving fashion. Silent Night is an acid test because there isn't much harmonic variety in the song as written. The arrangement here adds a little color without straying too far from the familiar. In some arrangements, however, the harmonic resolutions were not as good as they should be; there are obvious attempts to surprise the ear by adding unexpected chords that then do not fold back in very smoothly. In such instances I'm not afraid to alter the chord progression to a more pleasing result.

12 of 12 people found the following review helpful.
Compared to the Steinway 'Great Standards' series......
By David K. Miller
If you have any of the Steinway "Piano Stylings of the Great Standards" series and are expecting that same level of invention and difficulty in these Christmas arrangements, you won't find it. Although some of the same arrangers are featured, the selections are much easier - probably intermediate at best - and shorter (most, two to three pages). I agree with the reviewer who, noting the simplicity of the source material, questioned some of the more adventurous chord substitutions. Some of the chord choices are too striking and need to be rewritten a bit closer to the original harmony so as not to seem too pretentious.

That said, I'm using all or part of several of these arrangements but combining them into medleys with some changes to make transitions smooth. Considering the usual tired reworking of Christmas favorites, these are definitely more interesting than most.

I'd recommend buying the book because it's reasonably priced for the arrangers' skill and number of titles.

0 of 0 people found the following review helpful.
great for all ages
By Jonathan W. Lafleur
this is good to have for all families who child wants to play music. I used it to help teach my nephew music and he can play a couple of songs now. I love it because it has all my favorite songs in it.

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Kamis, 18 November 2010

[L447.Ebook] Free PDF Life of Fred--Cats, by Ph.D. Stanley F. Schmidt

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The idea behind Life of Fred is that if students have an enjoyable experience and have fun doing their math, they will remember it and use it and have a good taste in their math about the whole subject. The sub-title on each of his math books is "As Serious As it Needs to Be". And that is just the point: math doesn't need to be horrid and dry. This is math-just as serious as it needs to be-and I can tell you from my child's smiles and chuckles, that's not very serious at all! As a bonus, these books are very low priced compared to any other math books on the market. (Compare to Saxon at $50-70). If you have a creative child who is languishing on traditional math programs, try Life of Fred! Math, As Serious As it Needs to Be!

  • Sales Rank: #57878 in Books
  • Brand: Brand: Unknown
  • Published on: 2011
  • Number of items: 1
  • Binding: Hardcover
  • 128 pages
Features
  • Book 3 in the Life of Fred Series: Cats

Most helpful customer reviews

5 of 5 people found the following review helpful.
My children love this math series!
By fourbluesixpink
I wasn't sure if I liked how this author approached math - it seemed so 'untraditional'. But the proof is in the pudding. My children love this series, and actually argue who gets to do math next! I supplement with flashcards and some Khan academy as well. I also use Teaching Textbooks, but I plan to buy every single Life of Fred book for them because it is their favorite math and helps with the concepts.

Side note: this particular copy (Cats) was printed upside down in the cover. Not a big deal, I just turn the book over to read it, but thought I would make a note.

4 of 4 people found the following review helpful.
Great Resource :: Multiple Reads
By Isaac Le Grande
A great resource for learning math. The books will be passed from child to child, and each book can (and almost certainly will) be read many times -- for learning and for enjoyment of learning.

2 of 2 people found the following review helpful.
great book for expanding on math
By dana nuriyev
My son loves these books. A very unique perspective. I only give it it 4 stars because for the price it is expensive. You will go through the book in a month and be ready for the next one.

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Sabtu, 13 November 2010

[X308.Ebook] Free Ebook Social Psychology, by CRAIG TRACI

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Small bent corners on the cover of the book. Pages are in brand new condition. Overall the condition is very good.

  • Sales Rank: #1629845 in Books
  • Published on: 2014-06-16
  • Format: Advent Calendar
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 364 pages

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Jumat, 12 November 2010

[I977.Ebook] Download PDF Compendium of Modern Instrumental Techniques, by Gardner Read

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Compendium of Modern Instrumental Techniques, by Gardner Read

Compendium of Modern Instrumental Techniques, by Gardner Read



Compendium of Modern Instrumental Techniques, by Gardner Read

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Compendium of Modern Instrumental Techniques, by Gardner Read

An important characteristic of contemporary art music has been the use of conventional instruments in unconventional ways, achieving effects undreamed of or thought impossible in the early twentieth century. This compendium codifies these techniques, explains their production and effects, cites representative scores, and provides numerous example from an international selection of composers. Part One considers techniques and procedures that apply to all instruments; Part Two takes up idiomatic techniques with specific instruments in all orchestral categories. This monumental survey is essential for any music library or serious musician.

An important characteristic of contemporary art music has been the use of conventional instruments in unconventional ways, achieving effects undreamed of or thought impossible in the early twentieth century. Yet many of these techniques remain poorly understood with respect to both the physical procedures involved and the results in sound output. This compendium codifies these techniques, explains their production in terms of idiomatic peculiarity and limitations, and cites representative scores in which the new devices form an integral part of the composer's sonoric concepts. Citations and numerous printed examples are taken from an international selection of works by the most advanced and significant composers. Part One considers techniques and procedures that, with only slight modification, apply to all instruments: extended ranges, muting, glissandi, harmonics, percussive effects, microtones, amplification, and extramusical devices. Part Two is devoted to idiomatic techniques with specific instruments in the categories of woodwinds and brasses, percussion, harp and other plucked instruments, keyboard instruments, and strings. While demonstrating recent and radical innovations, references are made to historical beginnings of such devices in our classical music heritage.

An earlier version of this volume, Contemporary Instrumental Techniques (1976), was widely acclaimed by musicians and educators, recognized as a significant achievement in cataloging and organization and as an invaluable reference tool. Now extensively expanded, with additional techniques, new and revised explanations, and hundreds of recent citations and examples, this monumental survey is essential for any music library or serious musician. An indispensable guide for composers and orchestrators, it will also be valuable as a sourcebook for performers and teachers and as a textbook for courses in composition.

  • Sales Rank: #2035679 in Books
  • Published on: 1993-02-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .69" w x 6.14" l, 1.25 pounds
  • Binding: Hardcover
  • 296 pages

Review
"This updated volume is a welcome and necessary addition to the literature. Read's style of writing is casual and straightforward. He clearly and concisely describes numerous complex techniques, allowing the reader to visualize and understand the correct means of execution. It should hold up well to vigorous use in library and reference collections and music studios. Any composer or instrumentalist who is interested in music that incorporates the ever-expanding range of techniques that the 20th century has engendered will want to have this book close at hand. Compendium of Modern Instrumental Techniques is highly recommended for composers, instrumental students and teachers and all music libraries."-Music Reference Services Quarterly

"Composers may well wish to study the entire volume, as they seek to determine which techniques will endure in compositional practice; but for most readers the book will serve as an excellent resource for exploring individual interests or needs. A debt of gratitude is owned the author for making so much information available in a concise and accessible form. Recommended for upper-division undergraduates and above."-Choice

?Composers may well wish to study the entire volume, as they seek to determine which techniques will endure in compositional practice; but for most readers the book will serve as an excellent resource for exploring individual interests or needs. A debt of gratitude is owned the author for making so much information available in a concise and accessible form. Recommended for upper-division undergraduates and above.?-Choice

?This updated volume is a welcome and necessary addition to the literature. Read's style of writing is casual and straightforward. He clearly and concisely describes numerous complex techniques, allowing the reader to visualize and understand the correct means of execution. It should hold up well to vigorous use in library and reference collections and music studios. Any composer or instrumentalist who is interested in music that incorporates the ever-expanding range of techniques that the 20th century has engendered will want to have this book close at hand. Compendium of Modern Instrumental Techniques is highly recommended for composers, instrumental students and teachers and all music libraries.?-Music Reference Services Quarterly

About the Author

GARDNER READ, a noted American composer and Professor of Music Emeritus at Boston University. His books include Thesaurus of Orchestral Devices, Music Notation: A Manual of Modern Practice, Contemporary Instrumental Techniques, Modern Rhythmic Notation, Style and Orchestration Source Book of Proposed Music Notation Reforms (Greenwood Press, 1987), and Twentieth-Century Microtonal Notation (Greenwood Press, 1990).

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16 of 20 people found the following review helpful.
Exhaustive
By A Customer
Gardner Read has compiled an exhaustive account of modern instrumental techniques, putting aside sujective opinions of their worth or importance and including information about instruments foreign to traditional orchestras, such as the banjo. He sites numerous source examples of each techniques use and the varying methods of notation suggested by pioneering composers.
The book serves a dual service to both modern composers and musicians. First, it serves as a reference manual for reviewing and understanding the history of new notations of a particular instrumental techiniue. Second, it serves as a source for ideas and inspiration, simply by flipping through randomly and stumbling upon examples.
The first part of the book contains "Generalized Techniques" about extended ranges, muting, glissandi, harmonics, percussive devices, microtones (several suggested notations), amplification and extranmusical devices.
The second part of the book focuses on "Idiomatic Techniques" in detail regarding woodwinds and brasses, percussion, harp and plucked instruments, keyboard instruments, and strings.
Gardner Read's details suggest that technique experiments of 20th century composer's, mainly the "scrape and scratcher's", in my personal opinion, have been explored to such an extent that they should now be a part of a musician's and composer's arsenal: meaning they should no longer be consider experimental. Composers can get back to composing listenable and interesting music, utilizing the assorted intsrumental techniques when they will benefit the music vs being used primarily as an experiment, resulting in a "composition" that sounds terrible. (It was a good idea on paper, but it sounds like crap.) The experiments have been thourougly hashed out. It's time to start using the results in compositions accesible to those not wearing stuffed shirts.

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Sabtu, 06 November 2010

[M128.Ebook] Download American Indians, American Justice

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Will be shipped from US. Used books may not include companion materials, may have some shelf wear, may contain highlighting/notes, may not include CDs or access codes. 100% money back guarantee.

  • Published on: 1602
  • Binding: Paperback

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Jumat, 05 November 2010

[O541.Ebook] Free Ebook SAM for Oates/Oukada's Entre Amis, 6th, by Michael Oates, Larbi Oukada

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The redesign of the Student Activities Manual integrates lab manual activities with written activities so that they follow the scope and sequence of each chapter. Several segments on the SAM audio CDs were updated to match the sequencing of vocabulary and grammar in the textbook.

  • Sales Rank: #988623 in Books
  • Brand: Brand: Cengage Learning
  • Published on: 2012-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.70" h x .50" w x 8.30" l, 1.35 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

About the Author
Michael Oates of late was a professor of French at the University of Northern Iowa from 1967 to 2003. He received his Ph.D. in French from Georgetown University and was certified as an ACTFL Oral Proficiency Tester in French. In 1989, he won the ACTFL Nelson Brooks Award for Excellence in the Teaching of Culture. He is a Chevalier dans l'Ordre des Palmes Academiques.

Larbi Oukada, a native of Casablanca, Morocco, is the chair of the Department of Modern Languages and Cultures at Georgia College. Professor Oukada received a Ph.D. in linguistics from Louisiana State University. His research and publications have focused on French phonology, methods of teaching second languages, and the notion of curricular responsiveness. Professor Oukada coauthored with the late Mike Oates of Iowa a first-year French program entitled ENTRE AMIS, now in its sixth edition and adopted by over 350 colleges and universities. He is also the lead author of CONTROVERSES, now in its third edition.

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