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In Crowns and The Spirit of Harlem, journalist Craig Marberry took oral history to a new level. Here, in Cuttin’ Up, he presents more pitch-perfect portraits so good you’ll feel like you’re eavesdropping. Cuttin’ Up celebrates the laid-back fellowship of men in a barber shop, the place, as Marberry writes, “where we go to be among ourselves, to be ourselves, to unmask.”
Crisscrossing the country from Detroit to Orlando, Brooklyn to Houston, Marberry listened in on conversations that covered everything from reminiscences about the first haircut---a sometimes comic rite of passage---to spirited exchanges about women, to serious lessons in black history and current events. His collection of the wit and wisdom of patrons and barbers---including the small but scrappy subset of women barbers and the father of a very famous celebrity---brings together an irresistible and often touching chorus of voices.
Marberry has created a book that sings with the handsome beauty of the oral tradition that is the cornerstone of the black barber shop experience.
A portion of the proceeds from this book support the Maya Angelou Research Center on Minority Health at Wake Forest University.
- Sales Rank: #506685 in Books
- Published on: 2005-05-10
- Released on: 2005-05-10
- Original language: English
- Number of items: 1
- Dimensions: 8.10" h x 1.00" w x 6.50" l,
- Binding: Hardcover
- 192 pages
Features
- ISBN13: 9780385511643
- Condition: Used - Good
- Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
The author of Crowns: Portraits of Black Women in Church Hats (a collaboration with photographer Michael Cunningham) shifts his focus from hats to hair with this celebration of the black barber shop, "one of the nation's earliest black businesses [and]... as much a think tank as it is a comedy showcase." Over the course of 18 months, Marberry traveled around the country to document that particular "barber shop atmosphere." In Detroit, a policeman waxes poetic about a good "Razor Line" haircut; in Nashville, Oprah Winfrey's barber father, Vernon, jokes: "Somebody asked me if Oprah is my only child. I said, 'The only one so far.' " Along with the cutting quips and clipping tips, each barber and patron offers a little slice of life; topics include black history, celebrity clients, raids on unlicensed barbers, robberies, murders and the attitudes of female barbers: "It's tough for a woman in a barber shop. They say it's the black man's country club." Sixty b&w photos show the faces behind the commentary, but only some locations are identified; shop names aren't supplied, and curiously, shop exteriors aren't shown. And though Marberry is a fine writer, he gives only four pages of his own words. (May 10)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Marberry, author of Crowns: Portraits of Black Women in Church Hats 2000), explores another black cultural phenomenon--the barbershop. The shops are an institution of fellowship in which black men commune, where there are unwritten social rules of tradition, where conversations can entertain and enlighten. World issues are interwoven with more localized and mundane concerns, including job woes and troubled relationships. Marberry visited black barbershops across the U.S and observed numerous exchanges between barbers and their customers that reflect a forum for teaching in an informal context. Marberry reflects on some of the traditions of black barbers, the fact that black barbers used to cut white men's hair but could not do so in the same shops where they cut black men's hair. The black barbershop, like the church, was--and is--a central outlet for news and connections. Marberry touches on black barbers' involvement in the civil rights movement, as businessmen operating central news stations in the black community. Vernon Ford
Copyright © American Library Association. All rights reserved
Review
Craig Marberry, best-selling author of Crowns: Portraits of Black Women in Church Hats, returns with an unforgettable collection of narratives, quotes, and photographs from the most sacred of spaces---the black barber shop---and reveals the camaraderie, comic turns, and sharp-tongued commentary of barbers and their customers:
“The cop’s gonna come. The preacher’s gonna come. The gangsta’s gonna come. The barber shop’s the one place where you can put the wrong people at the same time.”---Reginald Attucks, barber shop owner
“I trust Bush with my daughter, but Clinton with my job.”---An anonymous customer
“I asked the boy what happened to his head. He said, ‘Daddy said to say Mama did it.’ ”---Deborah Rondo, barber
“I’m seventy-one. Old but not spent. Somebody asked me if Oprah is my only child. I said, ‘The only one so far.’ ”---Vernon Winfrey, barber shop owner
Most helpful customer reviews
4 of 4 people found the following review helpful.
Rare, Real Look Into Real Black-Barbershop Culture
By saint james
I truly loved this book. My heart leapt in my chest when I saw it on the book shelf. As a "kitchen-barber" for more than twenty-years I was ecstatic to see the subject matter bound with photographs and ready to read.
The barbershop has for men of African decent been a respite from women, life's pressures, etiquette, censorship and sometimes reality for many years. This highly valued institution often serves the community as an outreach center, political platform, advice booth, stand-up comedy tryout club and therapist's couch. Craig Maybery has struck gold again with an enjoyable foray into the subtleties of African American culture. Like his book, "Crowns: Portraits of Black Women in Church Hats" Mayberry gives the reader a clear insight into the passion Blacks have for their turn at at an American tradition. It was so refreshing to see an accurate view of the black barbershop which isn't exaggerated as in the films, Barbershop I and II or butchered like the Showtime adaptation "Barbershop"; (What a MESS!)
Using 49 short biographical stories the author gives us an authentic look into the motivations, tragedies, humor and passions of the men and women who cut and style the afro-american hair shaft. The portraits of these barbers are as they presented themselves to the author. They are human: Flawed, Dedicated, Unique and Proud.
The only disappointment I had in reading this book was not being able to find present-day photos of all of the subjects interviewed. I intend to give several of these books as gifts. A beautiful tribute to the men (or women) everyone needs and uses and takes for granted and noone wants to lose. Your barber.
2 of 2 people found the following review helpful.
Black Hair
By The RAWSISTAZ Reviewers
If I have heard it once, I have heard it a thousand times: black people have a special relationship with their hair. In CUTTIN' UP, Craig Marberry has put together a collection of interesting vignettes that highlight black barber shops around the nation. The stories introduce us to all kinds of people, some barbers, some patrons, some famous, and some lesser known. Each passage includes relevant photographs, usually of the narrator. The book covers a myriad of issues and topics including haircuts as a rite of passage, civil rights and the barber shop, barber shop camaraderie, funny stories and superstitions. Some stories are humorous, others are sad and all are educational.
Marberry has put together a well-organized collection that will remind readers that the ordinary things in life like going to the barber shop for a shape up can have a meaningful impact on one's life. This is a book you can pick up again and again and find at least one or two passages that will speak to you. By sharing stories told by an assortment of contributors, the author highlights our cultural diversity. The accompanying photographs make the stories even more personal and some of them are worth a second, more thoughtful look on the basis of their pure artistry alone. CUTTIN' UP didn't move emotional mountains for me, but the passages did make me smile and leave me with a sense of warmth. (RAW Rating: 3.5)
Reviewed by Stacey Seay
of The RAWSISTAZ™ Reviewers
2 of 3 people found the following review helpful.
"The easy hum of men among men"
By Luan Gaines
Thanks to the popularity of a recent movie, Barbershop, the public's attention has focused on the central gathering place for black men, the local barbershop. In an oral history that covers every aspect of community life, Marberry gathers stories from across the country, from "Detroit to Orlando, Brooklyn to Houston". This small gem, complete with black and white photographs, captures the wit and wisdom of barbers and their patrons, including a very select few women barbers who wield their scissors on this sacred turf.
Albert Ghee, Jr., a customer, talks about Shorty, a midget with a shoe shine stand, who worked in the back of his uncle's barbershop in Farmville, Virginia. If you gave Shorty an extra dollar, he'd thump out tunes with his rag as he polished your shoes, "The Star Spangled Banner" or "Amazing Grace." But Albert never enjoyed Shorty's unique rhythms until he was thirteen-years old; boys had to be teenagers before they were allowed to partake of the barbershop ambiance.
Wheeler Parker, a barbershop owner, has a cautionary tale to share, a hard lesson forced upon young men in his day, white men terrorizing in the middle of the night. Parker wants more for the younger generation after all the suffering, all the lost opportunities of his youth. He wants them to remember his cousin's name, Emmett Till. "He had a short life. Fourteen years. But if we remember, then it wasn't a wasted life."
Betty Reece was the only other woman besides Clara Poke and forty men in barber school. Betty was so painfully shy that one of her instructors said she was "so slow, she would miss the boat and the bus". Betty never did overcome her shyness and sat all day waiting for customers, lacking the effusiveness to gather regular clients. Sometimes she never had a single customer: "Felt like I was watching hair grow." She quit the business but still has her license and may go back to barbering one day.
Omar Rasul is a barber who enjoys the camaraderie of the shop, always up for a few laughs, which he considers good therapy. He favors "cut down" sessions, where "you target a person's flaw and roll with it. It's all about making people bust out laughing." On the other hand, the Reverend John C. McClurkin, a customer, likens the barbershop to the dinner table, a forum for family members to share stories and fellowship. The shop enjoys a similar dynamic, "except nobody's trying to hide their vegetables".
There are a few barbershop rules: "comments must both entertain and enlighten, proverbs need punch lines and comedy needs a dose of the profound". This thoughtful and humorous collection offers a peek into the rarified world of the black barbershop, still as popular today as when it first began. There's a sound you can hear above the clip and buzz of scissors and clippers: "It's the easy hum of men among men." Luan Gaines/2005.
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